Linen , Textiles , Sculptural Objects , Prints , Archival Pigment , Photographic Works , Living History , Premodern Abstraction , Installations , Sculptures , Site-specific Works , Furniture , Performative Sculptures , Quilts , Participation , Ribbons , Wood , Costumes , Cheater Cloth , Mirrors , Silk , Musical Instruments , Activated Space , Clothing , Wool , Satellite Dishes , Curtains , Rope , Period Rooms , Forts , Editions , Bedding , Backdrops , Reenactments , TInware , Soldiers , Silkscreen , Needle Work , Multiples , Kits , Drums , Dolls , Ceramics , Candles , Archives , Windsor Chairs , Wax , Sconces , Handmade Paper , Gouache , Glass , Bunting , Trench Art , Tilt-top Tables , Prototypes , Baskets , Banners , Portraits , Eyes , Candy , Wrought Iron , Tables , Snakes , Paper , Overshot , Figures , Farby Labels , Fancy Work , Braided Rugs , Willow , Whitman's Samplers , Ticking , Pomegranates , Performances , Jugs , Horsehair , Flower Arrangements , Flags , Collage , Cauldrons , Canopy Beds , Books , Antennas , Wreaths , Uniforms , Shop Signs , Scare Crows , Sacks , Platforms , Lanterns , Hay , Flame Stitch , Crewel Work , Canvas , Calico , Brooms , Bandboxes , Wigs , Theorem Painting , Tents , Stoneware , Stencils , Slipware , Rubbings , Redware , Pushcarts , Pockets , Pin Prikt , Parades , Market Stalls , Marbling , Glass Eyes , Display Cases , Crates , Canteens , Bottles , Barrels , Wands , Slippers , Shearling , Self-portraits , Peddlers , Medals , Keys , Hobby Horses , Hats , Guns , Engraving , Eagles , Doubles , Concealments , Chargers , Broadsides 
Mom-n-Pop Market Stall
1999
Mixed media
"Allison Smith: Mom-n-Pop Market Stall," Meat Market Art Fair, Artists Space, New York, curated by Jenelle Porter. Photo credit Daphne Fitzpatrick.



Mom-n-Pop Market Stall
1999
Canvas tent and mixed media
"Allison Smith: Mom-n-Pop Market Stall," Meat Market Art Fair, Artists Space, New York, curated by Jenelle Porter. Photo credit Daphne Fitzpatrick.



Fancy Work (Colonial Wall Sconce)
2010
steel, acrylic mirror Plexiglass, blown glass, mixed media
12' diam.
Commissioned by the San Francisco Museum of Modern Art in conjunction with "75 Years of Looking Forward." Photo credit Charles Villyard.



Fancy Work (Colonial Wall Sconce)
2010
steel, acrylic mirror Plexiglass, blown glass, mixed media
12' diam
Barton MacGuire plays the musical saw. Commissioned by the San Francisco Museum of Modern Art in conjunction with "75 Years of Looking Forward." Photo credit Charles Villyard.



Fancy Work (Tinwork Lantern)
2010
punched tin
36" h
Commissioned by the San Francisco Museum of Modern Art in conjunction with "75 Years of Looking Forward." Photo credit Charles Villyard.



Fancy Work
2010
installation view
dimensions variable
Commissioned by the San Francisco Museum of Modern Art in conjunction with "75 Years of Looking Forward." Photo credit Charles Villyard.



Fancy Work (Braided Rug)
2011
participatory braided rug, platform for reading, reflection, and conversation
12'+ diam
Commissioned and produced in the context of the exhibition "Allison Smith: Piece Work," Museum of Contemporary Art Denver. Photo credit Ron Pollard.



Fancy Work (Braided Rug)
2011
participatory braided rug, platform for reading, reflection, and conversation
12'+ diam
Commissioned and produced in the context of the exhibition "Allison Smith: Piece Work," Museum of Contemporary Art Denver. Photo credit Ron Pollard.



Fancy Work (Braided Rug)
2011
participatory braided rug, platform for reading, reflection, and conversation
12'+ diam
Commissioned and produced in the context of the exhibition "Allison Smith: Piece Work," Museum of Contemporary Art Denver. Photo credit Ron Pollard.



Fort Point Bunting
2012
painted linen, military webbing, grommets, hemp rope
75 swags; each swag 32" x 72"
Large-scale installation at historic Fort Point beneath the Golden Gate Bridge. Commissioned by FOR-SITE Foundation for the International Orange exhibition. Photo credit Allison Smith.



Fort Point Bunting
2012
painted linen, military webbing, grommets, hemp rope
75 swags; each swag 32" x 72"
Large-scale installation at historic Fort Point beneath the Golden Gate Bridge. Commissioned by FOR-SITE Foundation for the International Orange exhibition. Photo credit Allison Smith.



Fort Point Bunting
2012
painted linen, military webbing, grommets, hemp rope
75 swags; each swag 32" x 72"
Large-scale installation at historic Fort Point beneath the Golden Gate Bridge. Commissioned by FOR-SITE Foundation for the International Orange exhibition. Photographs and quotations on tags were collected by Starlyn Lara of Swords to Plowshares' Women Veterans Project as part of SHOUT! Art by Women Veterans. Photo credit Allison Smith.



Fort Point Bunting
2012
painted linen, military webbing, grommets, hemp rope
75 swags; each swag 32" x 72"
Large-scale installation at historic Fort Point beneath the Golden Gate Bridge. Commissioned by FOR-SITE Foundation for the International Orange exhibition. Photo credit Ben Blackwell.



Fort Point Bunting
2012
painted linen, military webbing, grommets, hemp rope
75 swags; each swag 32" x 72"
Large-scale installation at historic Fort Point beneath the Golden Gate Bridge. Commissioned by FOR-SITE Foundation for the International Orange exhibition. Photo credit Ben Blackwell.



From Many One, From Anyone
2012
archival giclée prints on silk
"We the People," Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Photo credit Andrzej Pilarczyk.



From Many One, From Anyone
2012
archival giclée prints on silk
"We the People," Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Photo credit Andrzej Pilarczyk.



From Many One, From Anyone
2012
archival giclée prints on silk
"We the People," Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Photo credit Andrzej Pilarczyk.